New in Cinema

In a city that appears to heal itself frame by frame, one person tries to reverse a single irreversible moment.

Shot across familiar corners of Vancouver, the film runs backward as if reality itself is rewinding: footsteps return to their starting point, rain lifts from pavement, and broken things quietly reassemble. Beneath the illusion of repair, a personal loss sits at the center like a gravity well, pulling every scene toward the moment it can’t truly undo. The reversed “Moonlight Sonata” becomes an anti-lullaby, beautiful but wrong, guiding the viewer toward the origin of the pain. By the time the “beginning” arrives, it’s clear: reversing time can restore images, but not absolution.
Shot on RED KOMODO with Zeiss CP.3 50mm. Color and edit by Pamir Nisanci.