Logline: A reverse-moving city reveals a hidden crime, one recovered detail at a time.
Short synopsis:
In reverse, Vancouver stops being a backdrop and starts acting like a witness. The film traces an aftermath back toward its cause: scattered objects return to pockets, a hurried exit becomes an arrival, and a face in the crowd gains meaning only as time rewinds. The reversed “Moonlight Sonata” functions like a coded signal, turning elegance into unease, pushing each scene toward what was buried. As the narrative unspools backward, the audience assembles the truth in reverse, discovering that the ending was never the end. The final image lands like a confession: the moment everything started.
Shot on RED KOMODO with Zeiss CP.3 50mm. Color and edit by Pamir Nisanci.
